THE STORIES:Sure Thing. Two people meet in a cafe and find their way through a conversational minefield as an offstage bell interrupts their false starts, gaffes, and faux pas on the way to falling in love. (1 man, 1 woman.)
Words, Words, Words recalls the philosophical adage that three monkeys typing into infinity will sooner or later produce Hamlet and asks: What would monkeys talk about at their typewriters? (2 men, 1 woman.)
The Universal Language brings together Dawn, a young woman with a stutter, and Don, the creator and teacher of Unamunda, a wild comic language. Their lesson sends them off into a dazzling display of hysterical verbal pyrotechnics—and, of course, true love. (2 men, 1 woman.)
Philip Glass Buys a Loaf of Bread is a parodic musical vignette in trademark Glassian style, with the celebrated composer having a moment of existential crisis in a bakery. (2 men, 2 women.)
The Philadelphia presents a young man in a restaurant who has fallen into "a Philadelphia," a Twilight Zone-like state in which he cannot get anything he asks for. (2 men, 1 woman.)
Variations on the Death of Trotsky shows us the Russian revolutionary on the day of his
I wrote for the theatre for over fifty years. My first professional play went up in a seat store-front theatre with a pole in the middle of the stage in Los Angeles a year after I graduated from college. A director on a visit from the East Coast happened to see the play and took it to the Circle Repertory in New York, where he put up his own production, and I was off and running as a playwright. But I ended up doing many other things as a writer in the coming years, like adapting 33 musicals for the Encores series in New York and producing three Y.A. novels, among other things. For a quick overview of what I’ve done, just click on CV.
Most of my plays are available from the usual sources, like Broadway Licensing. So on this site you will find plays that you may not know, along with other, non-theatrical items. That’s more or less the purpose of this website, which brings together, not things I’m known for, but out-of-the-way odds and ends I’ve produced over the years.
In SOME ARTICLES you’ll find a piece I wrote about my long collaboration with Stephen Sondheim on his final musical, Here We Are, along with reviews, prefaces to some of my published plays, and some humor pie
Best summary PDF, themes, and quotes. More books than SparkNotes.
David Ives is a playwright, screenwriter, and novelist. He was born in Chicago in and educated at Northwestern University and the Yale School of Drama. He began writing plays in the s and achieved his breakthrough success in the s with an evening of one-act plays called “All in the Timing” which ran Off-Broadway for over six hundred performances. He has written many full-length plays, including the Broadway production “Venus in Fur.” He has adapted French 17th- and 18th-century classical comedies, as well as thirty-three musicals for New York City’s "Encores!" series. His collaborators have included David Copperfield, Reba McEntire, and Stephen Sondheim. Ives has also written short fiction and humor pieces for Spy Magazine, The New Yorker, New York Magazine, the New York Times Magazine and The Hudson Review. He was a staff writer for Fox TV's "Urban Anxiety." He is the author of The Phobia Clinic, a horror novel written in verse, and the young adult period piece Monsieur Eek. He has taught playwriting and screenwriting at New York University’s Tisch School of the Arts and at Columbia University.
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Although he already had two full-length plays running at Circle Rep, David Ives really arrived on the New York theatre scene in installments in the late '80s, sprinkling his witticisms around in the form of one-act plays at assorted festivals about town. When he gathered them up into a goofy six-pack on how we communicate and labeled it All in the Timing, it was "Open Sesame" to a long run.
That was , this is — time for a 20th anniversary reprise of All in the Timing — so Ives' original sponsor, Primary Stages, is putting the show through the hoops again Jan. March 17, in a new production directed by John Rando, the Urinetown Tony winner, and starring Eric Clem, Jenn Harris, Liv Rooth and a couple of rowdies fresh from Peter and the Starcatcher, Carson Elrod and Matthew Saldivar.
Two decades have taken author Ives in different directions — from Encores! key wordsmith to refried French farce to Nina Arianda, who won a Tony for Venus in Fur.
Here, he stops to reassess where he has been and where he is going. Can you believe you've reached this age where you're being revived?
No, I'm not being revived — not yet. The plays are certainly being revived — not
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